Thursday, 31 October 2013

The Misunderstood and the Truly Frightening: Taking a look at Halloween's literary poster children


It’s the most wonderful time of the year!—if you’re under the age of 11, can still pull off getting free candy from strangers and was not severely traumatized at the age of 4 when your older brother made you watch Stephen King’s IT (rightfully on the list mentioned below), thus making you adverse to all things remotely spooky. But enough about me.

Everything’s coming up Halloween this week and in honour of the spookiest day of the year, this bookish babe is taking a look at some of literature’s favourite creeps and freaks, with the help of the Huffington Post’s 50 Scariest Characters from Literature which you can check out for yourself here:


Frankly, I think that some of these guys have been drastically misunderstood. Take Miss Havisham. Ok, so the whole “haven’t-changed-out-of-this-in-20-years” look is kind of gross, and the feasting table with the maggots and the rot is less than appealing. But let us not forget that the woman was left at the altar during a time before the power female, when women were only good to be wedded and bedded, I imagine that would be a pretty traumatizing thing. More than anything else, I find myself feeling bad for Miss H and her desperate desire to live vicariously through her young and desirable Estella. She represents a state of total devastation and rejection, and the only thing frightening about it is the thought that we might one day end up anything like her.  

And then there’s Heathcliffe, the classic Byronic hero but hardly one I would consider “scary”. I think brooding is the more appropriate word, and a quality of appeal for every woman who loves herself a mysterious bad boy. Despite any poor little fluffy bunnies getting sadistically nailed to fences, I think the darker side of Heathcliffe is drastically overshadowed by the bitter and tortured man in love with a woman he will never have but who will haunt him until his death. Like Miss H, my inclination is to pity him as another victim of life’s tragedy, though I may not necessarily run to give him a hug.

So here’s a bit of a stretch, but some food (or candy) for thought: Frankenstein, monster or merely misunderstood? To the audible gasp of many, I would argue the latter. Think about it. The man is made of the random parts of various other entities, crudely stitched together by some wacko scientist who, lest we forget, is not a talented seamstress. People run with fear because he looks like an undead Ken doll crossed with Chucky, both of which probably take a toll on the guy’s self esteem. He didn’t choose this life, he was made for it, and maybe he figures that it’s better to embrace what people see than to live feeling crappy about it all the time. Really, little Frankie probably just craves acceptance and love like the rest of us. Though I wouldn’t necessarily recommend giving him a hug either; he may just crush you by accident.
 Doesn't he look warm and approachable?
 

But don’t get me wrong, there are definitely those characters who give credence to why one might be wary of Fright Night, those who would wrack up dozens of awards at the Monsters Association’s annual Scare Convention. Though as the post rightly suggests, not all are bloody or savage or even physical attackers. You have your staples of course, the big D (Dracula for those less acquainted) who reminds us that the Twilight and CW vampires who could learn to control their bloodlust for the right woman are total crap, and the true nature of the vampire is to be savage and hungry and hella dangerous. However, even Dracula has his appeals: he’s foreign, dark and mysterious, and the act of drawing in his victims often seems to mirror the art of seduction. This has obviously made it easy for modern media to confuse the two, having vampires engage more in the seductive aspect of their allure than the “oh yeah we eat people” part. Dracula, however, reminds us of the latter, that once he has you in his lair, what follows is slightly short of a sexy, 14A love scene.
 

 

Then there are some new additions to the fold, like J.K Rowling’s Dementors, sufficiently scary in their soul purpose in life (because they suck out your soul…get it? I do appreciate a good play on words). I think that pretty much covers it. However, I was both shocked and pleasantly surprised me was Huffington Post’s number one pick for the Scariest Literary Character: Big Brother.  What makes BB so scary is that arguably, it is the most realistic one in the list, especially considering the ever continuing “advancements” of the technological age. There are now tracking devices on mobile phones that can detect and record the number and content of calls made and received by cellular users. Google Earth has given us a way to view people on the street and virtually spy on different neighborhoods, even ones we ourselves have never visited. Social media outlets like Facebook prompt people to expose more of themselves and their lives to millions of online strangers than ever before, making it too easy for anyone to keep constant tabs on another person. The most frightening thing about the prospect of Big Brother is that Orwell may have been spot on with his future predictions, and we are on the uphill trek towards the peak of Winston’s nightmare.

But without a doubt, the award for the most ridiculous entry on HP’s list is Christian Grey. The BDSM businessman creation of an apparently undersexed and eccentric housewife who treats women like play things but allows them to consent to such treatment beforehand through contractual agreement. Until the plain and homely Ana Steele changes his nature and shows him real love and blah blah blah blah: revealing that Christian Grey is nothing more than (gasp!) a man, and the only part of him likely to keep company with the monsters in the closet is his silk grey tie.
 

 Meet Jamie Dornan: recently cast as Christian Grey in the upcoming 50 Shades movie
He doesn't look so scary now, does he?

 

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